Robocop Review: Rogue City – unfinished business

A separate addition (you do not need to own the original game) for an amazing strike last winter on the one hand, more than what we liked in the original game, but on the other hand, they are not afraid to experiment and try new things. If you grew up on classical science fiction films of the 1980s, this return is more or less responsibility for you. If not, I strongly recommend adding education and playing this classic film, which, of course, should lead to the fact that you also want to play this pleasant, honestly old game.

• Platform: PS5 (review version), XSX | S, PC
• Date of issue: 17.7. 2025
• Manufacturer: Teyon (Poland)
• Genre: Frame
• Czech Republic Localization: No
• Multi -user: No
• Download Data: 40 GB
• Game time: 10+ hours
• Price: 649 czk

Deadly trap

It was assumed that the giant skyscraper of Omnitower was one of the miracles of modern urbanism and the undeniable agreement of Detroit and its ruling Omicorp corporation. Instead, however, a large and armed group of suspiciously equipped mercenaries settled on the teeth that began to terrorize the inhabitants of the building, as well as the police station in its environs. After the massacre of one of them, an officer of the cyber police, Robokop enters the skyscraper to finally squeeze the riot of mercenaries. But as soon as they arrive at the place, the building will be close, and the only question: who is in this trap with a cat and who mice?

Source: Martin Zavheel / Zing.cz

Source: Martin Zavheel / Zing.cz

Source: Martin Zavheel / Zing.cz

Source: Martin Zavheel / Zing.cz

Source: Martin Zavheel / Zing.cz

Source: Martin Zavheel / Zing.cz

Source: Martin Zavheel / Zing.cz

Although history is based on a classic cliche of blockbusters of the 1980s, it does not resist this in this style. So, you play for several characters, the narrative of time, in the situation of modern games, amazing rudeness and cruelty, the villain, quoting historical philosophers, optional missions and nonlinear decisions in the elections that you can push more to the central topic: if you organize justice as violent methods as criminals?

The giant skyscraper of Omnitower was to become a miracle of modern urbanism.

The central plot with one high -level building is known not only for the classical film “Deadly Trap”, but also modern films, such as RAID or Dredd, which have repeatedly proved how well this cliche can work for history. Gradually, the figure from floor to floor, higher and higher due to the increasingly rigid resistance of enemies, has its own charm. But most of all I remember, for example, excerpts where I played for a frightened woman running from rapists on confusing sunken streets or playable memories, until the police Murphy was a robocop or a passage where you control the ED-209. In short, this story was successful, and it also works for someone who did not play the previous game. For fans, on the other hand, this adds a rather serious addition to the canon of the first film, which was pleasantly surprised.

Serial product

Placing history and its storyline is the best novelty, but from the point of view of the gameplay, you more or less feel that you continue to play the original game. Everything looks and works more or less equally, in a sense, perhaps too much: in the last game I found an absurd OP tactic for automating an inflated gun in your fast fire, so this was enough to go forward with constantly pressed, and everything around you was destroyed by the continuous stream of your fire. It was intoxicating experience, as I wrote in the original review, I did not experience anything like this in any game.

I did not experience anything like this in any game.

But, unfortunately, this also led to the fact that this had no motivation to collect and use any other weapon. In this addition, you can use exactly the same mechanics from the very beginning, and I was again with the same problem. It is a pity that some new weapon is really interesting, led by a freezer, causing an excellent wave of pressure. Nevertheless, you will enjoy at least new enemies, including several types of robots and drones.

The second that I did not like was the duration of the passage without action. The game is trying to settle in the role of a policeman, among other things, sometimes you should look for a crime scene and safe traces or bypass and confess to the surrounding apartments. These passages can be a relatively interesting variety of gameplay, but I found it too long, including a certain part of the return. Considering how wild component of the game, it seemed to me that it seemed to me somewhat anti -fertile intersection of genres: as if someone tried to combine the death of a crazy type of action with the dialogue RPG. On the other hand, as I wrote above, some of the unique passages are one of the most important points of the game. I just would like them to be a little shorter.

The game still looks absolutely amazing, based on UNREAL Engine 5 technology, and the degree of detailing is almost photorealistic in places, which is all the more pleasant, because the aesthetics carefully adheres to retrofurism in the spirit of the 1980s, including sound or original musical motifs from the film. I played PS5 Pro, where the game worked significantly in terms of resolution and fluidity. Unfortunately, I came across a number of technical errors, from small things that flicker the texture, adhering to the goals of the mission until the inability to pick up new weapons from the ground. This last problem was very serious in a certain passage, where your procedure depends more or less. I firmly hope that at least more serious errors will be repaired for the release of the game for the public. However, despite the accidental disappointment, I really enjoyed the game, and not only in relation to a pleasant price tag I can recommend it to all fans of cinema, past games and excellent events as such.

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